#ListenUp: Country Music Rocks Featured Playlist: April 2017

April showers brings May flowers AND new music to country radio! This month we’re excited to feature 10 hot new songs that will be on repeat throughout the month on our CMR Featured Playlist for April. Be sure to request your favs at your local country radio station, and download to add to your country music playlist.

Country Music Rocks Featured Playlist: April 2017

“California” Big & Rich – download on iTunes here
“Craving You” Thomas Rhett featuring Maren Morris – download on iTunes here
“I Could Use A Love Song” Maren Morris – download on iTunes here
“No Such Thing As A Broken Heart” Old Dominion – download on iTunes here
“Preachin’ To The Choir” A Thousand Horses – download on iTunes here
“She’s With Me” High Valley – download on iTunes here
“Speak To A Girl” Tim McGraw and Faith Hill – download on iTunes here
“What I Wanna Be” Jacob Davis – download on iTunes here
“What Ifs” Kane Brown featuring Lauren Alaina – download on iTunes here
“You’ll Accomp’ny Me” Frankie Ballard – download on iTunes here

CMR Exclusive: John Schneider Shares Details About New Album “Ruffled Skirts,” Returning To Music and More

Well known actor, director, producer and singer John Schneider experienced the devastating floods that occurred in Louisiana, not once but twice last year. Not only did he experience the tragedy first hand, but he wrote about it and released an album, Ruffled Skirts, recounting the experience that he and countless others in the community went through. 

In an exclusive interview with us, John Schneider shared in great detail the backstory on Ruffled Skirts, as well as how this experience inspired him to return to music and much more.

Country Music Rocks (CMR): You recently returned to the country music scene with a brand new and very personal album, Ruffled Skirts, that relates to the devastating floods that occurred in your hometown last year in Louisiana. Tell us a little about this collection of music.

John Schneider: “We had two floods in Louisiana last year. I’m from New York, but I live in Louisiana and have a little movie studio in a little town called Holden. In March of last year we had the 100 year flood where the river rose 6′-8′, and then in August it rose 24′. It was a terrible, terrible time last year. But what it did, it caused me to see a whole lot of things that I had never seen before. I had been told by folks like Johnny Cash, Waylon Jennings and some really sizeable country music entertainers that you really can’t write about the blues, can’t sing the blues, until you’ve lived them.  I’ve had a bit of a charmed life, but I had never seen anything like this. Both good and bad.”

“This album came out of a very catastrophic event in my life that I managed to not only live through, but learn a lot from. The songs are more than songs, they are pieces of a time, like a time capsule, some of them in great fun and some of them very tragic. There’s one [song] called “How Do You Stop The Water” that’s very tragic about an older gentleman refusing to leave his house because everything he owns is in it. There’s another one called an “Act Of God” that is based on the notion that race wars were getting so terrible in Baton Rouge that the flood came in and washed them away. Then there’s a really cool one that’s a tribute to the Dukes of Hazzard fans that are over forty and painted their bicycles orange when they were watching Dukes the first time and its called “Every Friday Night.”

“I’m very proud of this record. I found the music in the other albums that I did when I did the things with MCA and CBS. I was fortunate enough to have a couple of No. 1 songs back in the 80s. Those were songs I recorded, those were songs I helped produced, and those were songs I found, but those were not songs I helped write.  This time it’s personal you’d might say.”

CMR: Instead of having writing sessions, you sent photos & videos to the other writers. Tell us a little about this unique approach you took on writing for this album.

John Schneider: “We are definitely creatures of the times. These songs were written when no one was in the same room. I had one friend in California and one friend in Baton Rouge. Even though my friend in Baton Rouge was close by, I couldn’t get to him because the roads were all flooded. So these were not only written during that time on a cell phone, but they were written as it was happening. People tell me it has a very immediate feel to it and immediate sound to it. Plus we recorded it three weeks after the flood water was out of my living room. We took all the rugs and furniture out and put in a drum kit, a bass player, three guitar players and a keyboard player, and recorded the basic tracks for the album right in that house that had been destroyed on the 14th of August. It’s very different and very personal in many regards, and I think people can hear that.”

CMR: You put this album together and released it pretty quickly. Was that part of your immediate plan to have this wrapped up in a short period of time,or did it happen organically where everything fell in to place and simply came together?

John Schneider: “We wanted to have the music out before people forgot the flood. We wanted to have it out before people forgot the inspiration for it. I think that was important and I think it caused us to not overthink it, which is another reason it sounds so immediate.  I wouldn’t say it was part of a big overall plan, it was more like things happen and people forget and everybody moves on with their lives, so if we are going to do this and get these stories out, we have to do it now. So we did. And I’m so delighted. It was not part of my plan at all to jump back in front of a microphone. I had really thought I had been there, done that, and that time had passed.  But this flood had brought the guitar back into my hands and Ruffled Skirts is what happened because of it.”

CMR: Now that you got back behind the mic and the guitar back in your hands, has it inspired you to get back in to music and continue to  move forward with new projects?

John Schneider: “Oh yeah! I’m talking to the same writers and the band that we put together. The band is a fantastic group called the Cajun Navy which is one of the songs on the record. But we’re talking about doing a tour this summer, only for a month or two, and calling it the “I Didn’t Know You Sang Tour.” I’ve done a lot of music, but for whatever reason, every time I open my mouth and sing, the majority of the people go “I didn’t know you sang!” So with tongue in cheek, we’re talking about calling it that. We’re talking about doing a new album too, one that will hopefully not be based on any catastrophic events, but it’ll be more like “I’m back, I’ve jumped back in, let’s do this thing!” I’ve missed music very much. I didn’t realize how much until I picked it back up again.”

CMR: On the album you included a fun track called “Every Friday Night” and it pays tribute to The Dukes of Hazzard. Tell us a little about that song.

John Schneider: “I think that song is such a novelty. It’s an interesting story because that song was not that song. It was about a guy singing about how he was there every Friday night and we loved it. I heard it and I said to the writer, ‘hey look, I want to change the perspective on the song. I want to change a lot of the words on it, do you mind?’ and he said no.  So I changed it all to singing about the Dukes of Hazzard fan. That song, I think, has the ability to jump out there and be a new anthem for the still millions of Dukes of Hazzard fans that are out there.”

CMR: Speaking of Dukes of Hazzard, what is one of your fondest memories of playing Bo Duke? While there are likely countless memories, what is one that pops into your mind right away?

John Schneider: “Tom and I were in the car one day and I was bragging to him about how great I was with throwing a 90 where you slide up to the camera with the car. So I was bragging to him about it because he had to do it,  so I said, ‘I’ll show you because you’re probably out of practice.’ We were on the back lot of Warner Bros. and I slid around a corner on a dirt road and threw thing sideways and it went just a little bit past sideways. Once you do that, you lose it. I ran the rear end right into the only real building on the back lot. I tore this car up. It was brand new, it was our No. 1 picture car. That was funny, but the great part about that is when I told the transportation guy. I limped the car back the transportation guy and I said ‘Hank, I am so sorry, I wrecked this car.’ He looked at it and kind of sucked back a tear and said that’s okay and then he handed me keys to another one! We needed the practice and we needed to be good at it, but for however long during that time it was good to be king! I played a Duke but it was good to be king!”

CMR: While country music continues to grow and evolve, what is one thing about the genre that resonates with you?

John Schneider: “The fact that this music is from life. If there is such thing as a people’s music, country music is the people’s music. It talks about hard working folks, it talks about people who are celebrating the end of a great day of hard work, it represents people as they are. Pop music represents people as they want to be. There’s a truth and honesty and there always has been from Hank Sr. – to Hank Jr. – to Alan Jackson – to Dierks Bentley – to Big & Rich – to Merle Haggard – to Johnny Cash – to Waylon – to Kris Kristofferson, and all these great folks, there’s a truth and honesty to what they, and dare I say we, sing about. I think it resonates with people who work hard and who appreciate more that which they work hard for, than that which is given to them.”

Ruffled Skirts is available now and can be found on digital music outlets such as iTunes here, and directly at JohnSchneiderOfficial.com.

Stay connected with John Schneider by visiting his Official Website, and following him on Facebook, Twitter and Instagram.

CMR Exclusive: Ryan Griffin Shares Track-By-Track Acoustic Videos from New EP, Sake Of The Summer

Artist on the rise Ryan Griffin recently released his brand new EP, Sake Of The Summer. The new collection of music features 5 solid tracks, including his debut single “Back Seats and Burnt CDs.”

To celebrate the release of Griffin’s new music, Country Music Rocks revealed a sample of all five songs with exclusive acoustic videos on our Instagram page. Now, we’re sharing the full length acoustic videos highlighting each song on Sake Of The Summer, as well as exclusive details Ryan shared with us track-by-track.

Back Seats and Burnt CDs
“The first time I heard “Back Seats and Burnt CDs” it took me back to high school. I could see the hearts that she drew on the burnt CD she made me. I could smell the smoke on her flannel from the bonfire. I could taste the freedom in her kiss. It’s that universal feeling that everyone loves to feel and that never seems to stick around long enough. The best part of this song is you can put it on repeat and feel it again and again!”

Woulda Left Me Too
“There was a time I never thought anyone would ever hear this song and there was a part of me that was okay with that. It’s not my shining moment as a man. It’s not the way I want people to view me but it’s the truth. At the end of the day we all try to write something that transcends cultures, generations, race, gender, etc… Something everyone can relate to. “Woulda Left Me Too” was a thought I had the day my college ex walked out the door and I can’t help but think that we’ve all been there at some point. It’s the only song I’ve ever written with pen and paper.”

Drinkin’ To Do
“Honesty is part of my writing. It’s hard for me to write something that I haven’t lived. “Drinkin’ to Do” is no exception. It’s the easiest way to numb the pain and shut off your mind – stop thinking about her for a minute and find a moment of peace. It’s why bars are always open and people are always buying. We all do it – I’m no different.”

Sake of the Summer
“When I wrote Sake of the Summer I was deep into Maroon 5. They were a muse I couldn’t quit..ha!!! I wanted a flirty song with a pop vibe and lyrics that made you feel like you were there in that summer fling. I hope when you hear the song you also see the movie in your head.”

Young Love
“Young Love has a special place in my heart. We spent 3 days writing this one. It was worth the fight! For me this song is about acknowledging that we never stop chasing that feeling – that indescribable rush we get – that naivety and innocence that comes with the first time. Our past is what gets us to our present and none of us get there without a few scars. “We’re all growing up with broken heart”. Young love is REAL love!”

Sake Of The Summer is a must-have for your country music collection. Grab your copy on iTunes here.

Stay connected with Ryan Griffin by visiting his Official Website, and follow him on Facebook, Twitter and Instagram.

RaeLynn Tops Billboard’s Country Albums Chart with Debut Album WILDHORSE

The number one country album in America is officially RAELYNN‘s critically-acclaimed debut WILDHORSE, which arrived at #1 on Billboard’s Country Albums Chart and Top 10 on Billboard’s All-Genre Albums Sales Chart. RaeLynn joins an elite few female country artists whose debut album bowed at #1, and is the highest charting/bestselling female country album release since Maren Morris. This comes after “the country Katy Perry” (Newsday) made spectacular peaks at #1 on the iTunes Country Albums chart and #3 All Genre Albums chart upon release.

“This is a once in a lifetime opportunity for me,” she said backstage after her ACM Party for a Cause performance Sunday evening. “Having a single that’s in the Top 30 and a #1 debut record is a dream come true. I feel overwhelmingly grateful and honored to be included in the company of the handful of other women who have debuted at #1 with their first record. The fans who I’ve met over the past five years really showed up for this record. So I share this #1 with all of them and my team and country radio. It’s for all of us. Real music that connects is always gonna win!”

People Magazine included WILDHORSE in their recent People Picks feature, declaring her a “Nashville spitfire” who “sings in a gravelly but tender drawl about…how she can’t be tamed” with Rolling Stone also pointing out her “instantly recognizable voice that slides smoothly into a song’s emotional contours-traits she exploits to the fullest on her superb debut…” Paste Magazine makes the impressive observation that “one of RaeLynn’s strongest talents…is an instinctual love of language. She plays with it in the manner of Loretta Lynn, delighting in rhyme schemes and meter…the album is rife with sharp specifics or perfect turns of phrase that she craftily tosses out.”

Entertainment Tonight praised the songwriter as being “gifted at injecting her larger-than-life personality into any scenario,” while Houston Chronicle lauded her debut as “terrific,” offering “a deft balance of personality and artistry.”

In the spirit of always paying it forward, RaeLynn made an appearance on her album release day at Texas Children’s Hospital, making the first donation from THE RAELYNN DIABETES FUND. Diagnosed with Type 1 Diabetes at the age of 12, the rising star credits Texas Children’s Hospital with saving her life. She was also honored by Houston Mayor Sylvester Turner, who proclaimed March 24, 2017, as “RAELYNN DAY.”

RaeLynn also celebrated release day performing the powerful first single from the album “Love Triangle” on ELLEN – a heart-wrenching divorce ballad told from the point of view of a little girl.

Praised by NPR for its “finely drawn images and subtle shifts in perspective,” “Love Triangle” is currently Top 30 and rising at Country radio and gathering millions of online streams, the first taste of an album, which bucks convention at every turn to reveal an artist with an untamed soul.

Produced by Jimmy Robbins and Nicolle Galyon, WILDHORSE (Warner Bros. Records/Warner Music Nashville) tells the story of RaeLynn’s life following her breakthrough on The Voice – four years that have seen her move to Nashville, release hit songs like “God Made Girls,” and get married. Full of personal touches, RaeLynn co-wrote 11 of the album’s 12 songs, even basing the anthemic “WildHorse” title track on a touching, cross-generational poem written about RaeLynn’s mother by her grandmother.

Following WILDHORSE’s release, RaeLynn will begin her first-ever headlining tour. Kicking off on April 20 in Columbus, Ohio, the RaVe TOUR will give country fans a concert experience like they’ve never had before, combining a Radio Disney curated playlist, full performance from RaeLynn and a glitter-filled dance party with a live DJ after the show. The complete list of RaVe TOUR dates and information on ticket sales can be found at www.raelynn.com.

Miranda Lambert Makes History at 52nd Annual ACM Awards

Vanner Records/RCA Records Nashville GRAMMY Award-winner Miranda Lambert set a record with her EIGHTH consecutive win for Female Vocalist of the Year at the 52nd Academy of Country Music Awards (ACMs) last night.  In her acceptance speech, after paying tribute to fellow nominee, Carrie Underwood, Lambert remarked, “I’m just glad to see females kicking ass these days.  I’m so proud to be part of that.”

Her smash-hit double-album The Weight of These Wings also won for Album of the Year, prompting her to say, “Thank you for letting me use my heartbreak and sharing it with me.”   This marks Lambert’s FIFTH consecutive album to be recognized in the ACM Album of the Year Category, the most of any artist in ACM history.   Her total ACM wins now stands at 28 Awards.

The Weight of These Wings soared to #1 on the iTunes charts within an hour of her win, and her single, “Tin Man” began climbing the charts following her emotionally powerful acoustic performance.

Lambert recently completed the first leg of her “Highway Vagabond” tour and will be at festivals and amphitheaters throughout the summer.  Her European tour will kick off in The Netherlands and take her to England, Scotland and Ireland in August.  Late September and into October, Miranda will tour Canada.  For a full list of dates:  Tour Dates.